About.com Rating
Newer metalheads may only have heard of Jag Panzer when referred to as the band Megadeth guitarist Chris Broderick used to be in. But longtime watchers of the scene know that even though commercial success eluded them, Jag Panzer's influence is undisputed in the traditional and power metal genres. It's been a while since their last album (7 years), and they make a welcome return with The Scourge Of The Light.
Jag Panzer's style remains consistent, delivering melodic songs with plenty of punch and excellent guitar work. “Condemned To Fight” kicks of the proceedings, a mid-tempo track with a lot of hooks and Harry “The Tyrant” Conklin's powerful vocals. “The Setting Of The Sun” is more atmospheric, with strings providing an interesting change of pace.
When it comes to guitar work, the band doesn't lose a step on The Scourge Of The Light. Christian Lasegue returns to Jag Panzer after playing guitar for them back in the '80s. He and co-founder Mark Briody are a skilled and versatile guitar duo. “Bringing On The End” provides plenty of solo opportunities, and is also very diverse with many shifts in tempo and intensity.
The brand of power metal played by Jag Panzer puts the emphasis on power. Monster riffs combined with a NWOBHM influence helps create their signature sound. “Cycles” typifies that style with a hard edge tempered by a memorable chorus and unmistakable groove. “Overlord” is closer to the European power metal style, very dramatic and nearly over the top.
The quality doesn't drop off as the album progresses, with “The Book Of Kells” wrapping things up. It's an 8 minute epic that includes a little bit of everything, showcasing what the band can do while still remaining a cohesive track.
Maybe Chris Broderick can convince Dave Mustaine to have Jag Panzer open for Megadeth on a tour, because they are a band that really deserves wider exposure. Excellent songwriting, top-notch vocals, crisp production and stellar musicianship make The Scourge Of The Light a really strong return for Jag Panzer.
(released March 8, 2011 on SPV Records)
Disclosure: A review copy was provided by the publisher. For more information, please see our Ethics Policy.